Literary and Social Essays by George William Curtis
page 63 of 195 (32%)
page 63 of 195 (32%)
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Strongly formed, of dark, poetic gravity of aspect, lighted by the
deep, gleaming eye that recoiled with girlish coyness from contact with your gaze; of rare courtesy and kindliness in personal intercourse, yet so sensitive that his look and manner can be suggested by the word "glimmering;" giving you a sense of restrained impatience to be away; mostly silent in society, and speaking always with an appearance of effort, but with a lambent light of delicate humor playing over all he said in the confidence of familiarity, and firm self-possession under all, as if the glimmering manner were only the tremulous surface of the sea, Hawthorne was personally known to few, and intimately to very few. But no one knew him without loving him, or saw him without remembering him; and the name Nathaniel Hawthorne, which, when it was first written, was supposed to be fictitious, is now one of the most enduring facts of English literature. RACHEL One evening in Paris, we were strolling through that most Parisian spot the Palais Royal, or, as it was called at that moment, the Palais National. It was after the revolution of February; but, although the place was full of associations with French revolutions, it seemed to have no special sympathy with the trouble of the moment, and was as gay as the youngest imagination conceives Paris to be. There was a constant throng loitering along the arcades; the cafes were lighted and crowded; men were smoking, sipping coffee, playing billiards, |
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