Early Bardic Literature, Ireland. by Standish O'Grady
page 21 of 73 (28%)
page 21 of 73 (28%)
|
great. It is the case in all primitive societies. Individual,
initiative, personal enterprise are content to work within a very small sphere. In agriculture, laws, customs, and modes of literary composition, primitive and simple societies are very adverse to change. When we see how closely the Christian compilers followed the early authorities, we can well believe that in the ethnic times no mind would have been sufficiently daring or sacrilegious to alter or pervert those epics which were in their eyes at the same time true and sacred. In the perusal of the Irish literature, we see that the strength of this conservative instinct has been of the greatest service in the preservation of the early monuments in their purity. So much is this the case, that in many tales the most flagrant contradictions appear, the author or scribe being unwilling to depart at all from that which he found handed down. For instance, in the "Great Breach of Murthemney," we find Laeg at one moment killed, and in the next riding black Shanglan off the field. From this conservatism and careful following of authority, and the _littera scripta_, or word once spoken, I conclude that the distance in time between the prose tale and the metrical originals was very great, and, unless under such exceptional circumstances as the revolution caused by the introduction of Christianity, could not have been brought about within hundreds of years. Moreover, this same conservatism would have caused the tales concerning heroes to grow very slowly once they were actually formed. All the noteworthy events of the hero's life and his characteristics must have formed the original of the tales concerning him, which would have been composed during his |
|