Early Bardic Literature, Ireland. by Standish O'Grady
page 24 of 73 (32%)
page 24 of 73 (32%)
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AEval, of Carriglea, the fairy queen of Munster, is one of the most
important characters in the history of the battle of Clontarf, the character of which, and of the events that preceded and followed its occurrence, and the chieftains and warriors who fought on one side and the other, are identical, whether described by the bard singing, or by the monkish chronicler jotting down in plain prose the fasti for the year. The reader of these volumes can make such deductions as he pleases, on this account, from the bardic history of the Red Branch, and clip the wings of the tale, so that it may with him travel pedestrian. I know there are others, like myself, who will not hesitate for once to let the fancy roam and luxuriate in the larger spaces and freer airs of ancient song, nor fear that their sanity will be imperilled by the shouting of semi-divine heroes, and the sight of Cuculain entering battles with the Tuatha De Danan around him. I hope on some future occasion to examine more minutely the character and place in literature of the Irish bardic remains, and put forward here these general considerations, from which the reader may presume that the Ultonian cycle, dealing as it does with Cuculain and his contemporaries, is in the main true to the facts of the time, and that his history, and that of the other heroes who figure in these volumes, is, on the whole, and omitting the marvellous, sufficiently reliable. I would ask the reader, who may be inclined to think that the principal character is too chivalrous and refined for the age, to peruse for himself the tale named the "Great Breach of Murthemney." He will there, and in many other tales and poems besides, see that the noble and pathetic interest which attaches to his character is substantially the same as I have represented in these volumes. But unless the student has read the |
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