Early Bardic Literature, Ireland. by Standish O'Grady
page 32 of 73 (43%)
page 32 of 73 (43%)
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Poor Ireland, with her hundred ancient epics, standing at the door of the temple of fame, or, indeed, quite behind the vestibule out of the way! To see the Swabian enter in, crowned, to a flourish of somewhat barbarous music, was indeed bad enough, but Mr. MacPherson! They manage these things rather better in France, _vide passim_ "La Revue Celtique." Of the literary value of the bardic literature I fear to write at all, lest I should not know how to make an end. Rude indeed it is, but great. Like the central chamber of that huge tumulus [Note: New Grange anciently Cnobgha, and now also Knowth.] on the Boyne, overarched with massive unhewn rocks, its very ruggedness strikes an awe which the orderly arrangement of smaller and more reasonable thoughts, cut smooth by instruments inherited from classic times, fails so often to inspire. The labour of the Attic chisel may be seen since its invention in every other literary workshop of Europe, and seen in every other laboratory of thought the transmitted divine fire of the Hebrew. The bardic literature of Erin stands alone, as distinctively and genuinely Irish as the race itself, or the natural aspects of the island. Rude indeed it is, but like the hills which its authors tenanted with gods, holding dells [Note: Those sacred hills will generally be found to have this character.] of the most perfect beauty, springs of the most touching pathos. On page 33, Vol. I., will be seen a poem [Note: Publications of Ossianic Society, page 303, Vol. IV.] by Fionn upon the spring-time, made, as the old unknown historian says, to prove his poetic powers--a poem whose antique language relegates it to a period long prior to the tales of the Leabhar na Huidhre, one |
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