Early Bardic Literature, Ireland. by Standish O'Grady
page 54 of 73 (73%)
page 54 of 73 (73%)
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founded upon mediaeval attempts to reduce to verisimilitude and
historical probability what was by its nature quite incapable of such treatment. The mythology of the Irish nation, being relieved of the marvellous and sublime, was set down with circumstantial dates as a portion of the country's history by the literary men of the middle ages. Unable to excide from the national narrative those mythological beings who filled so great a place in the imagination of the times, and unable, as Christians, to describe them in their true character as gods, or, as patriots, in the character which they believed them to possess, namely, demons, they rationalized the whole of the mythological period with names, dates, and ordered generations, putting men for gods, flesh and blood for that invisible might, till the page bristled with names and dates, thus formulating, as annals, what was really the theogony and mythology of their country. The error of the mediaeval historians is shared by the not wiser moderns. In the generations of the gods we seem to see prehistoric racial divisions and large branches of the Aryan family, an error which results from a neglect of the bardic literature, and a consequently misdirected study of the annals. As history, the pre-Milesian record contains but a limited supply of objective truths; but as theogony, and the history of the Irish gods, these much abused chronicles are as true as the roll of the kings of England. These divine nations, with their many successive generations and dynasties, constitute a single family; they are all inter-connected and spring from common sources, and where the literature permits us to see more clearly, the earlier races exhibit a common character. Like a human clan, the elements of this divine family |
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