Early Bardic Literature, Ireland. by Standish O'Grady
page 68 of 73 (93%)
page 68 of 73 (93%)
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through generations, if not centuries, at last reached Tir-na-n-Og,
and was received into the family of the gods, a religious feeling of a different nature would mingle with the more secular celebration of his memory, and his rath or cairn would assume in their eyes a new character. To an ardent imaginative people the complete extinction by death of a much-loved hero would even at first be hardly possible. That the tomb which held his ashes should be looked upon as the house of the hero must have been, even shortly after his interment, a prevailing sentiment, whether expressed or not. Also, the feeling must have been present, that the hero in whose honour they performed the annual games, and periodically chanted the remembrance of whose achievements, saw and heard those things that were done in his honour. But as the celebration became greater and more solemn, this feeling would become more strong, and as the tomb, from a small heap of stones or low mound, grew into an enormous and imposing rath, the belief that this was the hero's house, in which he invisibly dwelt, could not be avoided, even before they ceased to regard him as a disembodied hero; and after the hero had mingled with the divine clans, and was numbered amongst the gods, the idea that the rath was a tomb could not logically be entertained. As a god, was he not one of those who had eaten of the food provided by Mananan, and therefore never died. The rath would then become his house or temple. As matter of fact, the bardic writings teem with this idea. From reason and probability, we would with some certainty conclude that the great tumulus of New Grange was the temple of some Irish god; but that it was so, we know as a fact. The father and king of the gods is alluded to as dwelling there, going out from thence, and returning |
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