Early Bardic Literature, Ireland. by Standish O'Grady
page 7 of 73 (09%)
page 7 of 73 (09%)
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their original fulness and vigour, hardly a hue has faded, hardly a
minute circumstance or articulation been suffered to decay. The enthusiasm with which the Irish intellect seized upon the grand moral life of Christianity, and ideals so different from, and so hostile to, those of the heroic age, did not consume the traditions or destroy the pious and reverent spirit in which men still looked back upon those monuments of their own pagan teachers and kings, and the deep spirit of patriotism and affection with which the mind still clung to the old heroic age, whose types were warlike prowess, physical beauty, generosity, hospitality, love of family and nation, and all those noble attributes which constituted the heroic character as distinguished from the saintly. The Danish conquest, with its profound modification of Irish society, and consequent disruption of old habits and conditions of life, did not dissipate it; nor the more dangerous conquest of the Normans, with their own innate nobility of character, chivalrous daring, and continental grace and civilisation; nor the Elizabethan convulsions and systematic repression and destruction of all native phases of thought and feeling. Through all these storms, which successively assailed the heroic literature of ancient Ireland, it still held itself undestroyed. There were still found generous minds to shelter and shield the old tales and ballads, to feel the nobleness of that life of which they were the outcome, and to resolve that the soil of Ireland should not, so far as they had the power to prevent it, be denuded of its raiment of history and historic romance, or reduced again to primeval nakedness. The fruit of this persistency and unquenched love of country and its ancient traditions, is left to be enjoyed by us. There is not through the length and breadth of the country a conspicuous rath or barrow of |
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