War-time Silhouettes by Stephen Hudson
page 14 of 114 (12%)
page 14 of 114 (12%)
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Blum was not a person with whom Bale could afford to quarrel. Wherefore
he mastered his resentment and accepted the change of the name of the firm to Blum & Co., and the incidental reduction of his income that change implied with a smile on his face in spite of the bitterness in his heart. To a man less adroit than he, the change in the partnership might well have constituted a serious check in his upward career, but once more Bale's native resourcefulness asserted itself. This crisis in his private affairs took place when the country was torn by dissensions over Tariff Reform. He had early learnt to fish in troubled waters, and the political upheaval gave him his opportunity; he promptly crossed the floor of the House and obtained, without paying for it, a baronetcy as his reward. * * * * * Sir Matthew Bale is tall and slender; his head is well placed on his shoulders, he has clear-cut features, a firm mouth with excellent teeth, and is clean-shaven. Although he is over fifty, he has plenty of hair, originally sandy, but now tinged with grey, which he parts at the side and brushes straight back from the forehead. He dresses with a certain quiet elegance, and he has a way of drawing down his cuffs as he talks to you, and of placing the tips of his fingers together so that you notice his nicely kept nails. He speaks in a low tone, which he only raises when he forgets himself, and relies for emphasis on little restrained gestures adopted by him, together with other tricks of speech and manner, from his wife's male relations. In this he is unconscious of imitation, for he is by nature adaptable and his desire to be identified with the aristocracy is instinctive. |
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