Wanton Sovereigntie to rise with a great multitude to expel Negligence
and Dissipation, and to restore Publike-weal again to her estate--which
was so done.'

The reproaches made to the bishops about the year 1544 prove, that the
stage had already long ago boldly ventured upon the territory of
religion, in order to imbue the masses with anti-ecclesiastical
tendencies. In this connection the following words of an actor,
addressed to the clerics, are most significant. 'None,' he says,
'leave ye unvexed and untroubled; no, not so much as the poor
minstrels and players of interludes. So long as they played lies
and sang bawdy songs, blaspheming God, and corrupting men's
consciences, ye never blamed them, but were very well contented;
but since they persuaded the people to worship the Lord aright,
according to His holy laws and not yours, ye never were pleased
with them.' [10]

The first Act of Parliament for 'the controul and regulation of stages
and dramatic representations' was passed in the reign of Henry VIII.
(1543). Its title is, 'An Act for the Advancement of True Religion
and the Punishment of the Contrary.'

In 1552 Edward VI. issued a further proclamation both in regard to the
stage and the sellers of prints and books; this time mainly from
political reasons.

Whilst poets and players under Henry VIII. and his youthful successor
could bring out, without hindrance, that which promoted their ideas of
'true religion,' they ran great risk, in the reign of Queen Mary, with
any Protestant tendencies; for, scarcely had this severe queen been a