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Shakspere and Montaigne by Jacob Feis
page 80 of 214 (37%)
not succeed in firmly attaching himself to life with all the fibres of
his nature, and gathering strength from the mother-earth, like Antaeus.
He oscillates between two antagonistic views, and feels unable to decide
for either the one or the other.

We have explained the elements of which Hamlet's complex character is
made up. He is an adherent of old superstitions and dogmas; he believes
in Purgatory, a Hell, and a Devil, and in the miraculous powers of
confession, holy communion, and the extreme unction. Yet, to some
degree, he is a Humanist, and would fain grant to Nature certain
rights. Scarcely has he yielded to the impulses of his blood, than
doubts begin to rise in him, and he begins to fear the Devil, who
might lure him into perdition. This inner discord, creating, as it does,
a mistrust in his own self, induces him, in the most important task of
his life, to appeal to Horatio. To him he says that, if the King's
occulted guilt does not come out ('unkennel itself'), he (Hamlet) will
look upon the apparition as a damned ghost, and (this is new) will
think that his 'imaginations are as foul as Vulcan's stithy.' [38]

By the interlude, Hamlet--and in this he is confirmed by Horatio--becomes
convinced of the King's guilt. All that he thereupon does is--to recite
a little ditty!

We have already made the acquaintance of Montaigne the soft-hearted,
who, as above mentioned, always was touched when seeing innocent
animals hunted to death, and who felt much emotion _at the tears
of the hart asking us for mercy_. At the same time we have
directed the reader's attention to the fact of his having said that
the 'common weal requires some to betray, some to lie, and some to
massacre,' [39] and that this task must be left to those who are
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