Hamlet dies wounded and poisoned, as if Shakspere had intended expressing
his abhorrence of so vacillating and weak-willed a character, who places
the treacherous excesses of passion above the power of that human
reason in whose free service alone Greeks and Romans did their most
exalted deeds of virtue. [59]

The subtlety of the best psychologists has endeavoured to fix the limits
of Hamlet's madness, and to find the proper name for it. No agreement
has been arrived at. We think we have solved the problem as to the
nature of Hamlet's madness, and to have shown why thought and action,
in him, cannot be brought into a satisfactory harmony. Every fibre
in Shakspere's artistic mind would have rebelled against the idea
of making a lunatic the chief figure of his greatest drama. He wished
to warn his contemporaries that the attempt of reconciling two opposite
circles of ideas--namely, on the one hand, the doctrine that we are
to be guided by the laws of Nature; and on the other, the yielding
ourselves up to superstitious dogmas which declare human nature to be
sinful--must inevitably produce deeds of madness.

The main traits of Montaigne's character Shakspere confers upon the
Danish Prince, and places him before a difficult task of life. He is to
avenge his father's death. (Montaigne was attached to his father with
all his soul, and speaks of him almost in the same words as Hamlet
does of his own.) He is to preserve the State whose legitimate sovereign
he is. The materials for a satire are complete. And it is written in
such a manner as to remain the noblest, the most sublime poetical
production as long as men shall live.

The two circles of ideas which in the century of the Reformation began