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Jean Christophe: in Paris - The Market-Place, Antoinette, the House by Romain Rolland
page 42 of 538 (07%)
Christophe reserved his opinion of this reforming genius to wait until
he had seen his work before he said anything: but in spite of himself he
felt an instinctive distrust of this musical Baal to whom all music was
sacrificed. He was scandalized to hear the Masters so spoken of: and he
forgot that he had said much the same sort of thing in Germany. He who at
home had thought himself a revolutionary in art, he who had scandalized
others by the boldness of his judgments and the frankness of his
expressions, felt, as soon as he heard these words spoken in France, that
he was at heart a conservative. He tried to argue, and was tactless enough
to speak, not like a man of culture, who advances arguments without
exposition, but as a professional, bringing out disconcerting facts. He did
not hesitate to plunge into technical explanations: and his voice, as he
talked, struck a note which was well calculated to offend the ears of a
company of superior persons to whom his arguments and the vigor with which
he supported them were alike ridiculous. The critic tried to demolish
him with an attempt at wit, and to end the discussion which had shown
Christophe to his stupefaction that he had to deal with a man who did
not in the least know what he was talking about. And so they came to
the opinion that the German was pedantic and superannuated: and without
knowing anything about it they decided that his music was detestable. But
Christophe's bizarre personality had made an impression on the company of
young men, and with their quickness in seizing on the ridiculous they had
marked the awkward, violent gestures of his thin arms with their enormous
hands, and the furious glances that darted from his eyes as his voice rose
to a falsetto. Sylvain Kohn saw to it that his friends were kept amused.

Conversation had deserted literature in favor of women. As a matter of
fact they were only two aspects of the same subject: for their literature
was concerned with nothing but women, and their women were concerned with
nothing but literature, they were so much taken up with the affairs and men
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