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Jean Christophe: in Paris - The Market-Place, Antoinette, the House by Romain Rolland
page 80 of 538 (14%)
such books as these there were some, from the pages of which, behind all
the nonsense, there shone the limpid sky and the harmonious outline of the
hills of Attica--so much talent, so much grace, a sweet breath of life, and
charm of style, a thought like the voluptuous women or the languid boys of
Perugino and the young Raphael, smiling, with half-closed eyes, at their
dream of love. But Christophe was blind to that. Nothing could reveal
to him the dominant tendencies, the currents of public opinion. Even a
Frenchman would have been hard put to it to see them. And the only definite
impression that he had at this time was that of a flood of writing which
looked like a national disaster. It seemed as though everybody wrote: men,
women, children, officers, actors, society people, blackguards. It was an
epidemic.

For the time being Christophe gave it up. He felt that such a guide as
Sylvain Kohn must lead him hopelessly astray. His experience of a literary
coterie in Germany gave him very properly a profound distrust of the people
whom he met: it was impossible to know whether or no they only represented
the opinion of a few hundred idle people, or even, in certain cases,
whether or no the author was his own public. The theater gave a more exact
idea of the society of Paris. It played an enormous part in the daily life
of the city. It was an enormous kitchen, a Pantagruelesque restaurant,
which could not cope with the appetite of the two million inhabitants.
There were thirty leading theaters, without counting the local houses, cafe
concerts, all sorts of shows--a hundred halls, all giving performances
every evening, and, every evening, almost all full. A whole nation of
actors and officials. Vast sums were swallowed up in the gulf. The four
State-aided theaters gave work to three thousand people, and cost the
country ten million francs. The whole of Paris re-echoed with the glory
of the play-actors. It was impossible to go anywhere without seeing
innumerable photographs, drawings, caricatures, reproducing their features
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