Modern Italian Poets - Essays and Versions by William Dean Howells
page 32 of 358 (08%)
page 32 of 358 (08%)
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Both shoulders; then contracting like a tortoise
His neck a little, at the same time drops Slightly his chin, and, with the extremest tip Of his plumed hat, lightly touches his lips. In their order come the singing-master and the master of the violin, and, with more impressiveness than the rest, the teacher of French, whose advent hushes all Italian sounds, and who is to instruct the hero to forget his plebeian native tongue. He is to send meanwhile to ask how the lady he serves has passed the night, and attending her response he may read Voltaire in a sumptuous Dutch or French binding, or he may amuse himself with a French romance; or it may happen that the artist whom he has engaged to paint the miniature of his lady (to be placed in the same jeweled case with his own) shall bring his work at this hour for criticism. Then the valets robe him from head to foot in readiness for the hair-dresser and the barber, whose work is completed with the powdering of his hair. At last the labor of the learned comb Is finished, and the elegant artist strews With lightly shaken hand a powdery mist To whiten ere their time thy youthful locks. * * * * * Now take heart, And in the bosom of that whirling cloud Plunge fearlessly. O brave! O mighty! Thus Appeared thine ancestor through smoke and fire Of battle, when his country's trembling gods |
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