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Death at the Excelsior - And Other Stories by P. G. (Pelham Grenville) Wodehouse
page 93 of 167 (55%)
was a bit of unpleasantness because a flower-pot fell off a
window-ledge and nearly brained the hero. The atmosphere was
consequently more or less hotted up when Cyril, who had been hanging
about at the back of the stage, breezed down centre and toed the mark
for his most substantial chunk of entertainment. The heroine had been
saying something--I forget what--and all the chorus, with Cyril at
their head, had begun to surge round her in the restless sort of way
those chappies always do when there's a number coming along.

Cyril's first line was, "Oh, I say, you know, you mustn't say that,
really!" and it seemed to me he passed it over the larynx with a
goodish deal of vim and _je-ne-sais-quoi._ But, by Jove, before
the heroine had time for the come-back, our little friend with the
freckles had risen to lodge a protest.

"Pop!"

"Yes, darling?"

"That one's no good!"

"Which one, darling?"

"The one with a face like a fish."

"But they all have faces like fish, darling."

The child seemed to see the justice of this objection. He became more
definite.

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