taking press reports. My wire was connected to the 'blind' side of a
repeater at Cincinnati, so that if I missed a word or sentence, or if
the wire worked badly, I could not break in and get the last words,
because the Cincinnati man had no instrument by which he could hear me.
I had to take what came. When I got the job, the cable across the
Ohio River at Covington, connecting with the line to Louisville, had a
variable leak in it, which caused the strength of the signalling current
to make violent fluctuations. I obviated this by using several relays,
each with a different adjustment, working several sounders all connected
with one sounding-plate. The clatter was bad, but I could read it with
fair ease. When, in addition to this infernal leak, the wires north to
Cleveland worked badly, it required a large amount of imagination to get
the sense of what was being sent. An imagination requires an appreciable
time for its exercise, and as the stuff was coming at the rate of
thirty-five to forty words a minute, it was very difficult to write down
what was coming and imagine what wasn't coming. Hence it was necessary
to become a very rapid writer, so I started to find the fastest style. I
found that the vertical style, with each letter separate and without
any flourishes, was the most rapid, and that the smaller the letter
the greater the rapidity. As I took on an average from eight to fifteen
columns of news report every day, it did not take long to perfect
this method." Mr. Edison has adhered to this characteristic style of
penmanship down to the present time.

As a matter of fact, the conditions at Louisville at that time were not
much better than they had been at Memphis. The telegraph operating-room
was in a deplorable condition. It was on the second story of a
dilapidated building on the principal street of the city, with the
battery-room in the rear; behind which was the office of the agent of
the Associated Press. The plastering was about one-third gone from the