The Philosophy of the Plays of Shakspere Unfolded by Delia Bacon
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pulpit,--putting in its word every where, always at hand, always
sufficient, constituting itself, in virtue of its own irresistible claims and in the face of what we are told of it, the oracle, the great practical, mysterious, but universally acknowledged, oracle of our modern life; the fact that these two great branches of the modern philosophy make their appearance in history at the same moment, that they make their appearance in the same company of men--in that same little courtly company of Elizabethan Wits and Men of Letters that the revival of the ancient learning brought out here--this is the fact that strikes the eye at the first glance at this inquiry. But that this is none other than that same little clique of disappointed and defeated politicians who undertook to head and organize a popular opposition against the government, and were compelled to retreat from that enterprise, the best of of them effecting their retreat with some difficulty, others failing entirely to accomplish it, is the next notable fact which the surface of the inquiry exhibits. That these two so illustrious branches of the modern learning were produced for the ostensible purpose of illustrating and adorning the tyrannies which the men, under whose countenance and protection they are produced, were vainly attempting, or had vainly attempted to set bounds to or overthrow, is a fact which might seem of itself to suggest inquiry. When insurrections are suppressed, when 'the monstrous enterprises of rebellious subjects are overthrown, then FAME, who is _the posthumous sister of the giants_,--the sister of _defeated_ giants springs up'; so a man who had made some political experiments himself that were not very successful, tells us. The fact that the men under whose patronage and in whose service 'Will the Jester' first showed himself, were men who were secretly |
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