be absorbed as he would in the Son on whom he built such high hopes,
he could not forget that closing scene. He could not forget that he
had had no part in it. That, at the bottom of its clear depths of
tenderness and truth' lay those two figures clasped in each other's
arms, while he stood on the bank above them, looking down a mere
spectator - not a sharer with them - quite shut out.

Unable to exclude these things from his remembrance, or to keep his
mind free from such imperfect shapes of the meaning with which they
were fraught, as were able to make themselves visible to him through
the mist of his pride, his previous feeling of indifference towards
little Florence changed into an uneasiness of an extraordinary kind.
Young as she was, and possessing in any eyes but his (and perhaps in
his too) even more than the usual amount of childish simplicity and
confidence, he almost felt as if she watched and distrusted him. As if
she held the clue to something secret in his breast, of the nature of
which he was hardly informed himself. As if she had an innate
knowledge of one jarring and discordant string within him, and her
very breath could sound it.

His feeling about the child had been negative from her birth. He
had never conceived an aversion to her: it had not been worth his
while or in his humour. She had never been a positively disagreeable
object to him. But now he was ill at ease about her. She troubled his
peace. He would have preferred to put her idea aside altogether, if he
had known how. Perhaps - who shall decide on such mysteries! - he was
afraid that he might come to hate her.

When little Florence timidly presented herself, Mr Dombey stopped
in his pacing up and down and looked towards her. Had he looked with