Monsieur Maurice by Amelia Ann Blanford Edwards
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page 4 of 92 (04%)
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same relation that Hampton Court bears to London, or Versailles to Paris.
Stucco and whitewash had been lavished upon it inside and out, and pallid scagliola did duty everywhere for marble. A grand staircase supported by agonised colossi, grinning and writhing in vain efforts to look as if they didn't mind the weight, led from the great hall to the state apartments; and in these rooms the bad taste of the building may be said to have culminated. Here were mirrors framed in meaningless arabesques, cornices painted to represent bas-reliefs, consoles and pilasters of mock marble, and long generations of Electors in the tawdriest style of portraiture, all at full length, all in their robes of office, and all too evidently by one and the same hand. To me, however, they were all majestic and beautiful. I believed in themselves, their wigs, their armour, their ermine, their high-heeled shoes and their stereotyped smirk, from the earliest to the latest. But the gardens and grounds were my chief delight, as indeed they were the main attraction of the place, making it the focus of a holiday resort for the townsfolk of Cologne and Bonn, and a point of interest for travellers. First came a great gravelled terrace upon which the ground-floor windows opened--a terrace where the sun shone more fiercely than elsewhere, and orange-trees in tubs bore golden fruit, and great green, yellow, and striped pumpkins, alternating with beds of brilliant white and scarlet geraniums, lay lazily sprawling in the sunshine as if they enjoyed it. Beyond this terrace came vast flats of rich green sward laid out in formal walks, flower-beds and fountains; and beyond these again stretched some two or three miles of finely wooded park, pierced by long avenues that radiated from a common centre and framed in exquisite little far-off views of Falkenlust and the blue hills of the Vorgebirge. We were lodged at the back, where the private gardens and offices abutted |
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