The Enormous Room by E. E. (Edward Estlin) Cummings
page 134 of 322 (41%)
page 134 of 322 (41%)
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is the language of the Hollanders, crisply and firmly. He is not given to
Gottverdummering. In addition to Dutch and English he speaks French clearly and Belgian distinctly. I daresay he knows half a dozen languages in all. He gives me the impression of a man who would never be at a loss, in whatever circumstances he might find himself. A man capable of extricating himself from the most difficult situation; and that with the greatest ease. A man who bides his time; and improves the present by separating, one after one, his monied fellow-prisoners from their banknotes. He is, by all odds, the coolest player that I ever watched. Nothing worries him. If he loses two hundred francs tonight, I am sure he will win it and fifty in addition tomorrow. He accepts opponents without distinction--the stupid, the wily, the vain, the cautious, the desperate, the hopeless. He has not the slightest pity, not the least fear. In one of my numerous notebooks I have this perfectly direct paragraph: Card table: 4 stares play banque with 2 cigarettes (1 dead) & A pipe the clashing faces yanked by a leanness of one candle bottle-stuck (Birth of X) (where sits The Clever Man who pyramids,) sings (mornings) "Meet Me..." which specimen of telegraphic technique, being interpreted, means: Judas, Garibaldi, and The Holland Skipper (whom the reader will meet _de suite_)--Garibaldi's cigarette having gone out, so greatly is he absorbed--play _banque_ with four intent and highly focussed individuals who may or may not be The Schoolmaster, Monsieur Auguste, The Barber, and Meme; with The Clever Man (as nearly always) acting as banker. The candle by whose somewhat uncorpulent illumination the various physiognomies are yanked into a ferocious unity is stuck into the mouth of a bottle. The lighting of the whole, the rhythmic disposition of the figures, construct a sensuous integration suggestive of The Birth of Christ by one of the |
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