The Enormous Room by E. E. (Edward Estlin) Cummings
page 50 of 322 (15%)
page 50 of 322 (15%)
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storeroom, where my great sack, small sack, and overcoat were handed to
me. A rather agreeably voiced guard then handed me a half-cake of chocolate, saying (but with a tolerable grimness): "You'll need it, believe me." I found my stick, at which "piece of furniture" they amused themselves a little until I showed its use, by catching the ring at the mouth of my sack in the curved end of the stick and swinging the whole business unaided on my back. Two new guards--or rather _gendarmes_--were now officially put in charge of my person; and the three of us passed down the lane, much to the interest of the sentinel, to whom I bade a vivid and unreturned adieu. I can see him perfectly as he stares stupidly at us, a queer shape in the gloom, before turning on his heel. Toward the very station whereat some hours since I had disembarked with the Belgian deserter and my former escorts, we moved. I was stiff with cold and only half awake, but peculiarly thrilled. The gendarmes on either side moved grimly, without speaking; or returning monosyllables to my few questions. Yes, we were to take the train. I was going somewhere, then? "_B'en sure._"--"Where?"--"You will know in time." After a few minutes we reached the station, which I failed to recognize. The yellow flares of lamps, huge and formless in the night mist, some figures moving to and fro on a little platform, a rustle of conversation: everything seemed ridiculously suppressed, beautifully abnormal, deliciously insane. Every figure was wrapped with its individual ghostliness; a number of ghosts each out on his own promenade, yet each for some reason selecting this unearthly patch of the world, this putrescent and uneasy gloom. Even my guards talked in whispers. "Watch him, I'll see about the train." So one went off into the mist. I leaned dizzily against the wall nearest me (having plumped down my baggage) and stared into the darkness at my elbow, filled with talking shadows. I |
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