thought of them again now, and, sighing, took up the little lantern he
had left on the floor in the chapter-hall.

Instead of going towards his cell he turned into the second cloister
to look at the ridge of the Colle Lungo, where, perhaps, Benedetto was
praying. Some stars were shining above the rocky, grey ridge, spotted
with black, and their dim light revealed the square of the cloister, the
scattered shrubs, the mighty tower of Abate Umberto, the arcades, the
old walls, which had stood for nine centuries, and the double row of
little stone friars ascending in procession upon the arch of the great
gate where Don Clemente stood, lost in contemplation. The cloister and
the tower stood out majestic and strong against the darkness. Was
it indeed true that they were dying? In the starlight the monastery
appeared more alive than in the sunlight, aggrandised by its mystic
religious communing with the stars. It was alive, it was big with many
different spiritual currents, all confused in one single being, like the
different wrought and sculptured stones, which, united, formed its
body; like different thoughts and sentiments in a human conscience.
The ancient stones, inclosing souls which love had mingled with them,
saturated with holy longings and holy sorrows, with groans and prayers,
radiated a dim something which penetrated the subconsciousness. They had
the power of infusing strength into those of God's labourers who, in
arid moments, withdrew from the world, seeking brief repose among them,
as a spring of water infuses strength into the reaper on the lonely
hills. But in order that the life of the stones might continue, a
ceaseless living stream must flow through them, a stream of adoring and
contemplating spirits. Don Clemente felt something akin to remorse for
the thoughts he had harboured in the church about the decrepitude of the
monastery; thoughts which had sprung from his own personal judgment,
pleasing to his self-esteem, and therefore tainted by that arrogance