and glared about. In those days, the "indemnity" paid and the "military
occupation" withdrawn, everything French pre-figured hatred of the German,
and be sure "Les Brigands" made the most of this; each "brigand" a
beer-guzzling Teuton; each hero a dare-devil Gaul; and, when Joan the Maid,
heroine, sent Goetz von Berlichingen, the Vandal Chieftain, sprawling in
the saw-dust, there was no end to the enthusiasm.

"We are all 'brigands'," said Pulitzer as we came away, "differing
according to individual character, to race and pursuit. Now, if I were
writing that play, I should represent the villain as a tyrannous City
Editor, meanly executing the orders of a niggardly proprietor."

"And the heroine?" I said.

"She should be a beautiful and rich young lady," he replied, "who buys
the newspaper and marries the cub--rescuing genius from poverty and
persecution."

He was not then the owner of the World. He had not created the
Post-Dispatch, or even met the beautiful woman who became his wife. He was
a youngster of five or six and twenty, revisiting the scenes of his boyhood
on the beautiful blue Danube, and taking in Paris for a lark.



III


I first met General Grant in my own house. I had often been invited to his
house. As far back as 1870 John Russell Young, a friend from boyhood, came