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Marse Henry (Volume 2) - An Autobiography by Henry Watterson
page 98 of 208 (47%)
manuscripts by an unnamed old 'German musician and thus dishonestly,
by pilfering and suppression' palmed off upon the public themes and
compositions which he could not himself have originated. Something like
this has been said about every composer and writer, big and little, whose
personality and habits did not impress his immediate neighbors as implying
the possession of genius. The world usually expects direct inheritance and
a theatric impressiveness of genius in its next-door neighbor before it
accepts the proof of his works alone. For that reason Napoleon's paternity
in Corsica was ascribed to General Maboeuf, and Henry Clay's in early
Kentucky to Patrick Henry. That legend of the 'poor, unknown German
musician' who composed in poverty and secrecy the deathless songs that
have obsessed the world of music lovers, has been told of numberless young
composers on their way to fame, but died out in the blaze of their later
work. I have no doubt they told it of Foster, as they did also of Hays.
And Colonel Hays doubtless repeated it to you as the intimate gossip about
Foster.

"I have an article written by Colonel Hays and published in and cut from
The Courier-Journal some twelve years after the composer's death, in which
he sketches the life and work of Stephen Collins Foster. In that article he
lays especial stress upon the surprising originality of the Foster themes
and of their musical setting. He praises their distinct American or rather
native inspiration and flavor, and describes from his own knowledge of
Foster how they were 'written from his heart.' No mention or suggestion in
it of any German or other origin for any of those melodies that the world
then and now cherishes as American in costume, but universal in appeal.
While you may have heard something in Schubert's compositions that
suggested something in Foster's most famous song, still I venture to say it
was only a suggestion, such as often arises from the works of composers of
the same general type. Schubert and Foster were both young sentimentalists
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