the Greek genius over the public mind of Italy. It is probable
that, at an early period, Homer and Herodotus furnished some
hints to the Latin Minstrels; but it was not till after the war
with Pyrrhus that the poetry of Rome began to put off its old
Ausonian character. The transformation was soon consummated. The
conquered, says Horace, led captive the conquerors. It was
precisely at the time at which the Roman people rose to
unrivalled political ascendency that they stooped to pass under
the intellectual yoke. It was precisely at the time at which the
sceptre departed from Greece that the empire of her language and
of her arts became universal and despotic. The revolution indeed
was not effected without a struggle. Naevius seems to have been
the last of the ancient line of poets. Ennius was the founder of
a new dynasty. Naevius celebrated the First Punic War in
Saturnian verse, the old national verse of Italy. Ennius sang the
Second Punic War in numbers borrowed from the Iliad. The elder
poet, in the epitaph which he wrote for himself, and which is a
fine specimen of the early Roman diction and versification,
plaintively boasted that the Latin language had died with him.
Thus what to Horace appeared to be the first faint dawn of Roman
literature appeared to Naevius to be its hopeless setting. In
truth, one literature was setting, and another dawning.

The victory of the foreign taste was decisive; and indeed we can
hardly blame the Romans for turning away with contempt from the
rude lays which had delighted their fathers, and giving their
whole admiration to the immortal productions of Greece. The
national romances, neglected by the great and the refined whose
education had been finished at Rhodes or Athens, continued, it
may be supposed, during some generations to delight the vulgar.