It is by no means unlikely that there were two old Roman lays
about the defence of the bridge; and that, while the story which
Livy has transmitted to us was preferred by the multitude, the
other, which ascribed the whole glory to Horatius alone, may have
been the favorite with the Horatian house.

The following ballad is supposed to have been made about a
hundred and twenty years after the war which it celebrates, and
just before the taking of Rome by the Gauls. The author seems to
have been an honest citizen, proud of the military glory of his
country, sick of the disputes of factions, and much given to
pining after good old times which had never really existed. The
allusion, however, to the partial manner in which the public
lands were allotted could proceed only from a plebeian; and the
allusion to the fraudulent sale of spoils marks the date of the
poem, and shows that the poet shared in the general discontent
with which the proceedings of Camullus, after the taking of Veii,
were regarded.

The penultimate syllable of the name Porsena has been shortened
in spite of the authority of Niebuhr, who pronounces, without
assigning any ground for his opinion, that Martial was guilty of
a decided blunder in the line,

"Hanc spectare manum Porsena non potuit."

It is not easy to understand how any modern scholar, whatever his
attainments may be,--and those of Niebuhr were undoubtedly
immense,--can venture to pronounce that Martial did not know the
quantity of a word which he must have uttered, and heard uttered,