retreat of Porsena nothing seems to be borrowed from foreign
sources. The villainy of Sextus, the suicide of his victim, the
revolution, the death of the sons of Brutus, the defence of the
bridge, Musius burning his hand, Cloelia swimming through Tiber,
seem to be all strictly Roman. But when we have done with the
Tuscan wars, and enter upon the war with the Latines, we are
again struck by the Greek air of the story. The Battle of the
Lake Regillus is in all respects a Homeric battle, except that
the combatants ride astride on their horses, instead of driving
chariots. The mass of fighting men is hardly mentioned. The
leaders single each other out, and engage hand to hand. The great
object of the warriors on both sides is, as in the Iliad, to
obtain possession of the spoils and bodies of the slain; and
several circumstances are related which forcibly remind us of the
great slaughter round the corpses of Sarpedon and Patroclus.

But there is one circumstance which deserves especial notice.
Both the war of Troy and the war of Regillus were caused by the
licentious passions of young princes, who were therefore
peculiarly bound not to be sparing of their own persons on the
day of battle. Now the conduct of Sextus at Regillus, as
described by Livy, so exactly resembles that of Paris, as
described at the beginning of the third book of the Iliad, that
it is difficult to believe the resemblance accidental. Paris
appears before the Trojan ranks, defying the bravest Greek to
encounter him:--

3 lines from the Iliad, in Greek, probably those
translated by Pope as: