been stung, when one or other of the strange noises that trouble a large
empty building fell on his ear. Curious noises they were, sometimes.

'Once,' Dennistoun said to me, 'I could have sworn I heard a thin
metallic voice laughing high up in the tower. I darted an inquiring
glance at my sacristan. He was white to the lips. "It is he--that is--it
is no one; the door is locked," was all he said, and we looked at each
other for a full minute.'

Another little incident puzzled Dennistoun a good deal. He was examining
a large dark picture that hangs behind the altar, one of a series
illustrating the miracles of St Bertrand. The composition of the picture
is well-nigh indecipherable, but there is a Latin legend below, which
runs thus:

_Qualiter S. Bertrandus liberavit hominem quem diabolus diu volebat
strangulare_. (How St Bertrand delivered a man whom the Devil long
sought to strangle.)

Dennistoun was turning to the sacristan with a smile and a jocular remark
of some sort on his lips, but he was confounded to see the old man on his
knees, gazing at the picture with the eye of a suppliant in agony, his
hands tightly clasped, and a rain of tears on his cheeks. Dennistoun
naturally pretended to have noticed nothing, but the question would not
go away from him,'Why should a daub of this kind affect anyone so
strongly?' He seemed to himself to be getting some sort of clue to the
reason of the strange look that had been puzzling him all the day: the
man must be a monomaniac; but what was his monomania?

It was nearly five o'clock; the short day was drawing in, and the church