The Atlantic Monthly, Volume 01, No. 1, November, 1857 - A Magazine of Literature, Art, and Politics by Various
page 48 of 282 (17%)
page 48 of 282 (17%)
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truth is, that with the exception of Milan cathedral, which is modern,
exotic, and exceptional, the German, or, to use the common and senseless expression, the Gothic system of architecture never fairly took root in Italy. Certainly, the pointed windows and arches of the Florence _duomo_ and its _campanile_ do not constitute it a Gothic church. The square cornices, vast masses of wall, heavy pilasters, and, in general, the horizontal outlines and heavy expression of all these churches, have a character very remote from that of the airy, upspringing, fantastic German architecture, in which every shaft, arch, vault-girdle, pillar, window-frame, pinnacle, seems struggling and panting upward with an almost audible eloquence. This is not the expression of the _duomo_ here. There is no perpetual _Excelsior_ ringing from point, spire, and turret. On the contrary, the grave, almost rigid aspect of the ancient _basilica_--the Roman business-hall, compounded of Greek elements, and transformed into a Grecian temple--is ever at work repressing that devotional ecstasy which is the characteristic of the Gothic church. The Italian language in the thirteenth and fourteenth centuries was like the Italian architecture of the same period. The different intellectual manifestations, subjected to the same influences, obeyed one general law. The conquering German mind of the Dark Ages easily impressed itself where the soil was still virgin. Throughout _savage_ Europe the dominion was yielded at once to the new power which succeeded to the decrepit empire of Rome. Gaul, Germany, Britain, Iberia obeyed instinctively the same impulse. The children born of that vigorous embrace were of fresh and healthy beauty. The manifestations of the German mind in the cathedrals of Paris, Cologne, Antwerp are undimmed and unrivalled. The early German architecture in the actual realms of Germany is as romantic, energetic, and edifying as its poetry at the same epoch. A great German cathedral is a religious epic in stone. All the ornaments, all the episodes, spring from and cluster around one central, life-giving principle. |
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