Plays: Comrades; Facing Death; Pariah; Easter by August Strindberg
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page 8 of 225 (03%)
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then. The book presented herewith is consequently only of secondary
interest as constituting a fragment; and the reader should bear in mind that it was written over twenty years ago. The personality of the author is consequently as unfamiliar to me as to the reader-- and as unsympathetic. As he no longer exists, I can no longer assume any responsibility for him, and as I took part in his execution [1898] I believe I have the right to regard the past as expiated and stricken out of the Big Book." The "execution" in 1898 referred to was the spiritual crisis through which Strindberg passed when he emerged from the abysmal pessimism of "The Inferno;" then began the gradual return to spiritual faith which, in the end, caused him to declare himself a Swedenborgian. The play, "Easter," included in the present collection, belongs to this period; it is a strange mingling of symbolism and realism, bearing the spiritual message of the resurrection. It was the most popular play produced at the Intimate Theatre in Stockholm, having been given there over two hundred times; and in Germany, also, it has been one of the plays most appreciated. That "Easter" is representative of the last phase, spiritually, of the great man is evidenced by the closing incident of his life. His favorite daughter, Kirtlin, was in the room as death approached. Strindberg called to her, and asked for the Bible; receiving the book, he opened it, and placing it across his breast, said, "This is the best book of all," and then, with his last breath, "Now everything personal is obliterated." E. O. and W. O. |
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