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Plays: Comrades; Facing Death; Pariah; Easter by August Strindberg
page 8 of 225 (03%)
then. The book presented herewith is consequently only of secondary
interest as constituting a fragment; and the reader should bear in
mind that it was written over twenty years ago. The personality of
the author is consequently as unfamiliar to me as to the reader--
and as unsympathetic. As he no longer exists, I can no longer
assume any responsibility for him, and as I took part in his
execution [1898] I believe I have the right to regard the past as
expiated and stricken out of the Big Book." The "execution" in 1898
referred to was the spiritual crisis through which Strindberg
passed when he emerged from the abysmal pessimism of "The Inferno;"
then began the gradual return to spiritual faith which, in the end,
caused him to declare himself a Swedenborgian.

The play, "Easter," included in the present collection, belongs to
this period; it is a strange mingling of symbolism and realism,
bearing the spiritual message of the resurrection. It was the most
popular play produced at the Intimate Theatre in Stockholm, having
been given there over two hundred times; and in Germany, also, it
has been one of the plays most appreciated. That "Easter" is
representative of the last phase, spiritually, of the great man is
evidenced by the closing incident of his life. His favorite
daughter, Kirtlin, was in the room as death approached. Strindberg
called to her, and asked for the Bible; receiving the book, he
opened it, and placing it across his breast, said, "This is the
best book of all," and then, with his last breath, "Now everything
personal is obliterated."


E. O. and W. O.

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