regarded as if fascinated the slender, dusky fingers of the reader as
they handled the splendidly illuminated parchment on which glowed
strange characters of gold, marvelously intertwined with leaf and
flower, and cunning devices in gleaming hues. He looked into the deep,
liquid eyes of the old man, and saw the light in them kindle as the
reading proceeded. He felt the dignity of the presence of the seer, and
the richness of his flowing garment; but all these things were only the
fitting accompaniments to that beautiful voice, flowing on like a topaz
brook in a meadow of daffodils.

The Persian spoke admirable English, only now and then by a slight
accent betraying his nationality. He made a short address upon the
antiquity of the hymn which he was that day to expound, its authorship,
and its evident inspiration. Then in his wonderful voice he read:--



THE HYMN OF ISMAT.


Yesterday, half inebriated, I passed by the quarters where the vintners
dwell, to seek the daughter of an infidel who sells wine.

At the end of the street, there advanced before me a damsel, with a
fairy's cheeks, who in the manner of a pagan wore her tresses
dishevelled over her shoulders like a sacerdotal thread. I said: "O
thou, to the arch of whose eyebrow the new moon is a slave, what
quarter is this, and where is thy mansion?"

She answered: "Cast thy rosary to the ground; bind on thy shoulder the