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Val d'Arno by John Ruskin
page 40 of 175 (22%)
pride:--and that public art divided itself into two branches--civil,
occupied upon ethic subjects of sculpture and painting; and religious,
occupied upon scriptural or traditional histories, in treatment of
which, nevertheless, the nascent power and liberality of thought were
apparent, not only in continual amplification and illustration of
scriptural story by the artist's own invention, but in the acceptance
of profane mythology, as part of the Scripture, or tradition, given by
Divine inspiration.

69. Nevertheless, for the provision of things necessary in domestic
life, there developed itself, together with the group of inventive
artists exercising these nobler functions, a vast body of craftsmen,
and, literally, _man_ufacturers, workers by hand, who associated
themselves, as chance, tradition, or the accessibility of material
directed, in towns which thenceforward occupied a leading position in
commerce, as producers of a staple of excellent, or perhaps inimitable,
quality; and the linen or cambric of Cambray, the lace of Mechlin, the
wool of Worstead, and the steel of Milan, implied the tranquil and
hereditary skill of multitudes, living in wealthy industry, and humble
honour.

70. Among these artisans, the weaver, the ironsmith, the goldsmith, the
carpenter, and the mason necessarily took the principal rank, and on
their occupations the more refined arts were wholesomely based, so that
the five businesses may be more completely expressed thus:

The weaver and embroiderer,
The ironsmith and armourer,
The goldsmith and jeweller,
The carpenter and engineer,
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