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A Study of Hawthorne by George Parsons Lathrop
page 15 of 345 (04%)
stronghold, so far as to appear upon the street? No. But one must
approach these old towns with reverence, to get at their secrets. They
will not yield inspiration or meaning save to an imaginative effort.
Under the influence of that, the faded past, traced in sympathetic ink,
as it were, revives and starts into distinctness. Passing down Essex
Street, or striking off from its modest bustle a little way, we come
upon shy, ungainly relics of other times. Gray gambrel-roofed houses
stand out here and there, with thick-throated chimneys that seem to hold
the whole together. Again you pass buildings of a statelier cast, with
carved pilasters on the front and arched doorways bordered with some
simple, dainty line of carving; old plaster-covered urns, perhaps, stand
on the brick garden-wall, and the plaster is peeling off in flakes that
hang long and reluctant before falling to the ground. There are quaint
gardens everywhere, with sometimes an entrance arched with iron
gracefully wrought by some forgotten colonial Quentin Matsys, and always
with their paths bordered by prim and fragrant box, and grass that keeps
rich and green in an Old World way, by virtue of some secret of growth
caught from fresher centuries than ours. If your steps have the right
magic in them, you will encounter presently one of the ancient pumps
like to the Town Pump from which Hawthorne drew that clear and sparkling
little stream of revery and picture which has flowed into so many and
such distant nooks, though the pump itself has now disappeared, having
been directly in the line of the railroad. But, best of all, by
ascending Witch Hill you may get a good historic outlook over the past
and the present of the place. Looking down from here you behold the
ancient city spread before you, rich in chimneys and overshadowed by
soft elms. At one point a dark, strong steeple lifts itself like a huge
gravestone above the surrounding houses, terminating in a square top or
a blunt dome; and yonder is another, more ideal in its look, rising
slight and fine, and with many ascents and alternating pauses, to reach
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