A Study of Hawthorne by George Parsons Lathrop
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page 37 of 345 (10%)
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practised; and I do not see why Hawthorne should be reckoned to have had
no sight for that which he did not record. With his unique and penetrating touch he marked certain salient and solemn features which had sunk deep into his sensitive imagination, and then filled in the surface with his own profound dramatic emanations. But in his subtle and strong moral insight, his insatiable passion for truth, he surely represented his Puritan ancestry in the most worthy and obviously sympathetic way. No New-Englander, moreover, with any depth of feeling in him, can be entirely wanting in reverence for the nobler traits of his stern forefathers, or in some sort of love for the whole body of which his own progenitors formed a group. Partly for his romantic purposes, and merely as an expedient of art, Hawthorne chose to treat this life at its most picturesque points; and to heighten the elements of terror which he found there was an aesthetic obligation with him. But there is even a subtler cause at work toward this end. The touches of assumed repugnance toward his Puritan forefathers, which appear here and there in his writings, are not only related to his ingrained shyness, which would be cautious of betraying his deeper and truer sentiment about them, but are the ensigns of a proper modesty in discoursing of his own race, his own family, as it were. He shields an actual veneration and a sort of personal attachment for those brave earlier generations under a harmless pretence that he does not think at all too tenderly of them. It is a device frequently and freely practised, and so characteristically American, and especially Hawthornesque, that it should not have been overlooked for even a moment. By these means, too, he takes the attitude of admitting the ancestral errors, and throws himself into an understanding with those who look at New England and the Puritans merely from the outside. Here is a profound resort of art, to prepare a better reception for what he is about to present, by not seeming to insist on an open recognition from his readers of the |
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