of policy, a condition much more subtly counterfeiting the mien of
goodness and spirituality. Talkative replies, "You lie at a catch, I
perceive,"--meaning that he is sophistical. "No, not I," says Faithful;
"I am only for setting things right." Did not this desire of setting
things right stir ever afterward in Hawthorne's consciousness? It is not
a little singular to trace in Bunyan two or three much more direct links
with some of Hawthorne's work. When Christiana at the Palace Beautiful
is shown one of the apples that Eve ate of, and Jacob's ladder with some
angels ascending upon it, it incites one to turn to that marvellously
complete "Virtuoso's Collection," [Footnote: Mosses from an Old Manse,
Vol. II.] where Hawthorne has preserved Shelley's skylark and the steed
Rosinante, with Hebe's cup and many another impalpable marvel, in the
warden-ship of the Wandering Jew. So, too, when we read Great-Heart's
analysis of Mr. Fearing, this expression, "He had, I think, a Slough of
Despond in his mind, a slough that he carried everywhere with him," we
can detect the root of symbolical conceptions like that of "The Bosom
Serpent." [Footnote: Mosses from an Old Manse, Vol. II.] I cannot
refrain from copying here some passages from this same portion which
recall in an exceptional way some of the traits of Hawthorne, enough, at
least, to have given them a partially prophetic power over his
character. Mr. Great-Heart says of Mr. Fearing: "He desired much to be
alone; yet he always loved good talk, and often would get behind the
screen to hear it." (So Hawthorne screened himself behind his genial
reserve.) "He also loved much to see ancient things, and to be pondering
them in his mind." What follows is not so strictly analogous throughout.
Mr. Honest asks Great-Heart why so good a man as Fearing "should be all
his days so much in the dark." And he answers, "There are two sorts of
reasons for it. One is, the wise God will have it so: some must pipe,
and some must weep.... And for my part, I care not at all for that
profession which begins not in heaviness of mind. The first string that