study now, and simply to handle them is enough to bring back many
sensations of long-past boyhood. Of all the influences that had sway
over me in those days and for long afterwards, the influence of Scott
was by far the strongest. A boy cannot make a better choice. Scott has
the immense advantage over dull authors of being almost always
interesting, and the equally great advantage over many exciting authors
that he never leaves an unhealthy feeling in the mind. I began with "The
Lady of the Lake," then read "Marmion," and "The Lay of the Last
Minstrel" and the Ballads, and finally "Rokeby." These were in separate
small volumes, which gave me a desire to possess other authors in the
same convenient form, so I added Goldsmith, Crabbe, Kirke White, and
Moore's "Irish Melodies." A prize for history gave me "Paradise Lost" in
two volumes of my favorite size, and two school-fellows, who saw that I
had a taste for such volumes, kindly gave me others. During the holidays
my guardian authorized the purchase of a Shakespeare in seven pocket
volumes, and the "Spectator" in eight, so I had quite a little library,
which became inexpressibly dear to me. It is very remarkable that for a
long time I knew Scott thoroughly as a poet without having read a single
novel by him. Having been invited by one of my school-fellows to a
country house not very far from Doncaster, I was asked by the lady of
the house what authors I had read, and on mentioning Scott's poems was
told that he was greater as a novelist than as a poet, and that the
Waverley novels were certainly his finest works. This seemed incredible
to me then, the poems being so delightful that they could not possibly
be surpassed. On another occasion I happened to be standing with Mr.
Cape in the little chapel at Conisborough Castle, and having heard from
an older school-fellow that Athelstane had died there, I asked Mr. Cape
if it was true. "Yes," he answered, "if you believe Sir Walter Scott."
Not having read "Ivanhoe," I was under the impression that the
Athelstane in question was an historical personage.