fortunes.

Here also were reminiscences of Provence. One side of the wall was
largely covered by a picture of Frejus by Wislin, painted in the days
when St. Raphael and Valescure did not exist, and when the old town rose
clear from the low ground as Rome rises from the Campagna, the beautiful
Roquebrune, a spur of Sir Charles's beloved Mountains of the Moors,
behind it. Sevres china, vases, bronzes, filled the window ledges,
presents to the first Baronet from the Emperor of Austria, Napoleon
III., the Crown Prince of Prussia (afterwards the Emperor Frederick),
and other royal persons and Governments, with whom his Exhibition work
brought him into touch.

At the time when Horace Walpole's collection at Strawberry Hill was
sold, Sir Charles's grandfather had stayed at Twickenham, and had
brought away many purchases, which peopled the Red and Green
Drawing-rooms on the next landing. There was a little group of
miniatures in which the 'Beautiful Gunnings' and a charming 'Miss
Temple' figured; in another group, miniatures of Addison, of Mme. Le
Brun, of Moliere, came from Lady Morgan, whose pen of bog-oak and gold,
a gift to her from the Irish people, hung in Sir Charles's own study.
The best of the miniatures were those by Peter Oliver, and portrayed
Frederick of Bohemia, Elector Palatine, and his wife Elizabeth, Princess
Royal of England, afterwards married to Lord Craven; while the finest of
all was 'a son of Sir Kenelm Digby, 1632.' It was one of 'several
others' which Walpole 'purchased at a great price,' a purchase which was
thus chronicled 'by Mason (Junius) in a letter to Walpole: 'I
congratulate you on the new miniatures, though I know one day they will
become Court property and dangle under the crimson-coloured shop-glasses
of our gracious Queen Charlotte.' The set were all brought together for