_the actual hour_, the poet, no doubt in obedience to a law dictated
to him by his public, kept his characters in communication with earth
and heaven, with the dawn he described, the moon he painted, the evening
he caused to be seen, the plants he portrayed as withering or reviving,
the birds which he showed everywhere in the country or returning to their
habitation, etc.

From the purely dramatic aspect, these plays are often affecting or
curious, possessing penetrating and thoughtful psychology. The most
celebrated dramas still left to us of the Indian stage are _The Chariot
of Baked Clay_ and the affecting and delicate _Sakuntala_ the gem
of Indian literature, the work of the poet Kalidas, who was also a
remarkable lyric poet.

GNOMIC POETRY.--Gnomic, that is sententious, poetry, which, it has been
indicated, very early enjoyed high appreciation among the Indians, long
continued to obtain their approval. It was always wise and often
intellectual. The collection of Barthari, who belonged to the sixth or
seventh century A.D., contains thoughts which would do honour to the
highest moralists of the most enlightened epochs. "The fortune, ample or
restricted, which the Creator hath inscribed on thy forehead thou wilt
assuredly attain; wert thou in the desert or in the gold-mines of Meru,
more couldst thou not acquire. Therefore, of what avail to torment
thyself and to humiliate thyself before the powerful. A pot does not draw
more water from the sea than from a well."

And this might be by a modern man opposing La Rochefoucauld: "The modest
man is one poor in spirit, the devout a hypocrite, the honest man is
artful, the hero is a barbarian, the ascetic is a fool, the unreserved
a chatterbox, the prudent a waverer. Tell me, which is the virtue among