_THE ROMANCERO_.--Of the same period and going back to the commencement
of the thirteenth century, if not earlier, is what is called the
_Romancero_. The _Romancero_ is the collection of all the
national romances, which are more or less short but are never long epic
poems. All the romances relating to a hero form the _Romancero_ of
that personage, and all the _Romanceros_ are called the Spanish
_Romancero_. It is in the _Romancero_ of Rodriguez that we find
the youth of Cid as known to us, or approximately, for it is purified
and spiritualised by ageing and, for example, Chimanes curses Rodriguez
but also asks for him in marriage: "Oh, king ... each day that shines, I
see him that slew my father parading on horseback and loosing his falcon
to my dovecot and with the blood of my doves has he stained my skirts and
he has sent me word he will cut the hem of my robe.... He who slew my
father, give him to me for equal; for he who did me so much harm I am
convinced will do me some good." And the king said: "I have always heard
said and now see that the feminine sex is most extraordinary. Until now
hath she asked of me justice against him and now she doth ask him of me
in marriage. I will do it with a good will. I shall send him a letter,
etc...."

THE FIFTEENTH CENTURY.--The fifteenth century in Spain, as everywhere
else, was destitute of great works. In poetry it was the era of lovesongs
and of the influence of Italian literature, which only later was
decidedly happy. In prose may be found many chronicles extremely valuable
to the historian, and some moral works such as the _Dialogue of the
Happy Life_ of Lucena and, finally, the famous _Amadis des
Gaules_, an ancient chivalric romance of unknown origin, brought to
publicity in that century by Montalvo.

PORTUGUESE LITERATURE.--Portuguese literature, which is highly