Initiation into Literature by Émile Faguet
page 89 of 168 (52%)
page 89 of 168 (52%)
![]() | ![]() |
|
witty nor more unjust; but it is true that the greatest Spanish book is
that in which the author does mock at many other Spanish books. Cervantes wrote his _Don Quixote_ to ridicule the romances of chivalry which in his land were a craze among the townsfolk and smaller aristocratic landowners, but he wrote in no spirit of animosity and even reserved for his comic hero, that is, for his victim, a discreet sympathy which he made his reader share. A hero of chivalry himself, warrior with indomitable courage, thrice wounded at the battle of Lepanto, where he lost an arm, seven years in captivity in Algiers, on his return to Spain he became involved in adventures which again consigned him to prison before he at length attained success, if not fortune, with _Don Quixote_. _Don Quixote_ is a realistic romance traversed by a frenzied idealist: here are the manners of the populace, of innkeepers, muleteers, galley-slaves, monks, petty traders, peasants, and amid them passes a man who views the entire world as a romance and who believes he finds romance at every turn of his road. This perpetual contrast is, first, effective and supremely artistic in itself, then is of a reality superior to that of any realism, since it is the complete life of humanity which is thus painted and penetrated to its very foundations and shown in all its aspects. There are two portions to this romance, and they are constantly near each other and, as it were, interlaced; namely, the episodes and the conversations. The episodes, comic incidents, humorous or sentimental adventures are of infinite variety and display incredible imagination; the conversations between Don Quixote and his faithful Sancho represent the two tendencies of the human mind to recognise on the one side, the goodness, generosity, devotion, the spirit of sacrifice, and the illusions; on the other side, common sense, the sense of reality, the sense of the just mean and, as it were, the proverbial reason, without malice or bitterness. This masterpiece is perhaps the one for which would have had to be invented the epithet of _inexhaustible_. |
|