Initiation into Literature by Émile Faguet
page 91 of 168 (54%)
page 91 of 168 (54%)
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authorities say a thousand, Calderon was first prodigiously inventive,
then he was dogmatic, moralising, almost a preacher. Whether in his religious plays, in his love dramas, in his cap and sword tragedies, even in his comedies and highly complicated intrigues, the great sentiments of the Spanish soul--honour, faith, the inviolability of the oath, loyalty, fidelity, the spirit of great adventures--broaden, animate and elevate the whole work. With Calderon the titles are always indicative of the subject. His most celebrated plays are: _In this Life All Is Truth and Falsehood_, _Life is a Dream_, _The Devotion to the Cross_, _The Lady before All_, _The Mayor of Zamalea_, _Love after Death_, _The Physician of his Own Honour_. ALARCON.--Alarcon comes nearer to us owing to his regular and almost classic compositions. Nevertheless he was a man of imagination and humour with an adequate dramatic force. His tragedies must be mentioned: _What Is Worth Much Costs Much_, _Cruelty through Honour_, _The Master of Stars_; his comedies, _The Examination of Husbands_, and that charming _The Truth Suspected_, from which Corneille derived _The Liar_. TIRSO DE MOLINA.--Tirso de Molina was another prodigy of dramatic literature, and his fellow-countrymen assert that he wrote three hundred dramas, of which sixty-five are in existence. All Spanish dramatists were unequal, he more especially; he passed from grossness to sublimity with surprising facility and ease. He particularly delighted in ingeniously complicated intrigue, in surprises, and in unexpected theatrical touches. Yet _The Condemned in Doubt_ is a sort of moral epopee, adapted to the stage, possessing real beauty and not without depth. His most celebrated drama, in so far as it has aroused direct or indirect imitations, and owing to the type he was the first to suggest, was _The Jester of Seville_: that is, Don Juan. All European literatures, |
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