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L'Assommoir by Émile Zola
page 54 of 351 (15%)
gray, covered with patches of leprous yellow, stained by the dripping
from the slate-covered roof. The wall had not even a molding to break
its dull uniformity--only the gutters ran across it. The windows had
neither shutters nor blinds but showed the panes of glass which were
greenish and full of bubbles. Some were open, and from them hung
checked mattresses and sheets to air. Lines were stretched in front
of others, on which the family wash was hung to dry--men's shirts,
women's chemises and children's breeches! There was a look as if the
dwellers under that roof found their quarters too small and were
oozing out at every crack and aperture.

For the convenience of each facade there was a narrow, high doorway,
from which a damp passage led to the rear, where were four staircases
with iron railings. These each had one of the first four letters of
the alphabet painted at the side.

The _rez-de-chaussee_ was divided into enormous workshops and lit
by windows black with dust. The forge of a locksmith blazed in one;
from another came the sound of a carpenter's plane, while near the
doorway a pink stream from a dyeing establishment poured into the
gutter. Pools of stagnant water stood in the courtyard, all littered
with shavings and fragments of charcoal. A few pale tufts of grass
struggled up between the flat stones, and the whole courtyard was
lit but dimly.

In the shade near the water faucet three small hens were pecking
with the vain hope of finding a worm, and Gervaise looked about her,
amazed at the enormous place which seemed like a little world and as
interested in the house as if it were a living creature.

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