understanding, too, that no flaw was too small to escape his sight.
Mrs. Fenton's friends rallied her upon being a slave to her
housekeeping; few of them were astute enough to understand that, kind
as was always his manner toward her, she was instead the slave of her
husband.

The room in which they were dining was one in which the artist took
especial pleasure. He had panelled it with stamped leather, which he
had picked up somewhere in Spain; while the ceiling was covered with a
novel and artistic arrangement of gilded matting. Among Edith's wedding
gifts had been some exquisite jars of Moorish pottery, and these, with
a few pieces of Algerian armor, were the only ornaments which the
artist had admitted to the room. The simplicity and richness of the
whole made an admirable setting for the dinner table, and as the host
when he entertained was willing to take the trouble of overlooking his
wife's arrangements, the Fentons' dinner parties were among the most
picturesquely effective in Boston.

"I have two big pieces of news for you," Mrs. Fenton said, when the
soup had been removed. "I have been to call on Mrs. Stewart Hubbard
this afternoon, and Mr. Hubbard is going to have you paint him. Isn't
that good?"

Her husband looked up in evident pleasure.

"That isn't so bad," was his reply. "He'll make a stunning picture, and
the Hubbards are precisely the sort of people one likes to have
dealings with. Is he going at it soon?"

"He is coming to see you to-morrow, Mrs. Hubbard said. The picture is