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Normandy, Illustrated, Part 2 by Gordon Home
page 12 of 37 (32%)
with orange lichen and making a great contrast in colour to the
weather-beaten stone-work down below. There are small patches of tiled
roofing to the buttresses at the western ends of the aisles and these also
add colour to this picturesque building. The great double flight of stone
steps which lead to the imposing western door have balustrades filled with
flamboyant tracery, but although the church is built up in this way, the
floor in the interior is not level, for it slopes gently up towards the
east. The building was commenced during the reign of Louis XII. and not
finished until nearly the end of the reign of Francois I. It is therefore
coeval with that richly carved house in the Rue aux Fevres. Along the sides
of the church there project a double row of thirsty-looking gargoyles--the
upper ones having their shoulders supported by the mass of masonry
supporting the flying buttresses. The interior is richer than the exterior,
and you may see on some of the pillars remains of sixteenth century
paintings. A picture dating from 1681 occupies a position in the chapel of
St Ursin in the south aisle; it shows the relic of the saint being brought
to Lisieux in 1055.

The wide and sunny Place Thiers is dominated by the great church of St
Pierre, which was left practically in its present form in the year 1233.
The first church was begun some years before the conquest of England but
about a century later it suffered the fate of Bayeux being burnt down in
1136. It was reconstructed soon afterwards and shows to-day the first
period of Gothic architecture that became prevalent in Normandy. Only the
north tower dates from this period, the other one had to be rebuilt during
the reign of Henri III. and the spire only made its appearance in the
seventeenth century. The Lady Chapel is of particular interest owing to the
statement that it was built by that Bishop of Beauvais who took such a
prominent part in the trial of Joan of Arc. The main arches over the big
west door are now bare of carving or ornament and the Hotel de Ville is
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