finer or more perfectly proportioned nave than Evreux, and if I were asked
to point out the two most impressive interiors of the churches in this
division of France I should couple the cathedral at Evreux with St Ouen at
Rouen.

It was our own Henry I. who having destroyed the previous building set to
work to build a new one and it is his nave that we see to-day. The whole
cathedral has since that time been made to reflect the changing ideals of
the seven centuries that have passed. The west front belongs entirely to
the Renaissance period and the north transept is in the flamboyant style of
the fifteenth century so much in evidence in Normandy and so infrequent in
England.

The central tower with its tall steeple now encased in scaffolding was
built in 1470 by Cardinal Balue, Bishop of Evreux and inventor of the
fearful wooden cages in one of which the prisoner Dubourg died at Mont St
Michel.

In most of the windows there is old and richly coloured glass; those in the
chancel have stronger tones, but they all transform the shafts of light
into gorgeous rainbow effects which stand out in wonderful contrast to the
delicate, creamy white of the stone-work. Pale blue banners are suspended
in the chancel, and the groining above is coloured on each side of the
bosses for a short distance, so that as one looks up the great sweep of the
nave, the banners and the brilliant fifteenth century glass appear as vivid
patches of colour beyond the uniform, creamy grey on either side. The
Norman towers at the west end of the cathedral are completely hidden in the
mask of classical work planted on top of the older stone-work in the
sixteenth century, and more recent restoration has altered some of the
other features of the exterior. At the present day the process of