The Early Poems of Alfred Lord Tennyson by Alfred Lord Tennyson
page 23 of 620 (03%)
page 23 of 620 (03%)
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"an over-indulgence in the luxuries of the senses, a profusion of
splendours, harmonies, perfumes, gorgeous apparel, luscious meals and drinks, and creature comforts which rather pall upon the sense, and make the glories of the outward world to obscure a little the world within". Like his own 'Lady of Shalott', he had communed too much with shadows. But the serious poet now speaks. He appeals less to the ear and the eye, and more to the heart. The sensuous is subordinated to the spiritual and the moral. He deals immediately with the dearest concerns of man and of society. He has ceased to trifle. The the [Greek: spondai_otaes,] the high seriousness of the true poet, occasional before, now pervades and enters essentially into his work. It is interesting to note how many of these poems have direct didactic purpose. How solemn is the message delivered in such poems as 'The Palace of Art' and 'The Vision of Sin', how noble the teaching in 'Love and Duty', in 'Oenone', in 'Godiva', in 'Ulysses'; to how many must such a poem as 'The Two Voices' have brought solace and light; how full of salutary lessons are the political poems 'You ask me, why, though ill at ease' and 'Love thou thy Land', and how noble is their expression! And, even where the poems are less directly didactic, it is such refreshment as busy life needs to converse with them, so pure, so wholesome, so graciously human is their tone, so tranquilly beautiful is their world. Who could lay down 'The Miller's Daughter, Dora, The Golden Year, The Gardener's Daughter, The Talking Oak, Audley Court, The Day Dream' without something of the feeling which Goethe felt when he first laid down 'The Vicar of Wakefield?' In the best lyrics in these volumes, such as 'Break, Break', and 'Move Eastward', 'Happy Earth', the most fastidious of critics must recognise flawless gems. In the two volumes of 1842 Tennyson carried to perfection all that was best in his earlier poems, and displayed powers of which he may have given some indication in his cruder efforts, but which must certainly have exceeded the expectation of the most sanguine of his |
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