Hitherto we have only spoken of the artificial splendour of Eaton. The
natural beauties with which it is environed will, however, present
equal, if not superior, attraction for the tourist. The stiff, formal
walks of Vanbrugh no longer disfigure the grounds, which are now made to
harmonize with the contiguous landscape, and are enlivened by an inlet
of the Dee, which intervenes between the eastern front of the mansion,
and the opposite plantations. These alterations have, however, been made
with great judgment, and a few of the venerable beauties of the park
remain. Thus, a fine aged avenue extends westward to a Gothic lodge in
the hamlet of Belgrave, about two miles distant from the Hall. Another
lodge, in a similar style of design, is approached by a road, which
diverges from this avenue towards Chester, and crosses the park, through
luxuriating plantations, which open occasionally in glade views of the
Broxton and Welsh Hills. The most pleasing approach to this noble
mansion is one which has been cut through the plantations, towards the
north-east angle of the house, so as to throw the whole building into
perspective.

Viewed from either of the beautiful sites with which the park abounds,
Eaton is a magnificent display of towers, and turrets, pinnacles and
battlements, partly embosomed in foliage, and belted with one of the
richest domains in England. Indeed, its splendour seldom fails to strike
the overweening admirer of art with devotional fondness, which is not
lessened by his approach to the fabric.[1] The most favourable distant
views are from the Aldford road, and from the romantic banks of the Dee,
whence there is a proud display of architectural grandeur. In every
point, however, the grounds and mansion of Eaton will abundantly gratify
the expectations of the visiter. Altogether, they present a rich scene
of nature, diversified and embellished by the attributes of art; and the
admiration of the latter will be not a little enhanced by the reflection