Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. by Margaret Fuller Ossoli
page 65 of 402 (16%)
page 65 of 402 (16%)
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"If thou art false, O then Heaven mocks Itself!" The son, framed, like Hamlet, to appreciate truth in all the beauty of relations, sinks into deep melancholy when he finds his natural expectations disappointed. He has no other. She to whom he gave the name, disgraces from his heart's shrine all the sex. "Frailty, thy name is Woman." It is because a Hamlet could find cause to say so, that I have put the line, whose stigma has never been removed, at the head of my work. But, as a lover, surely Hamlet would not have so far mistaken, as to have finished with such a conviction. He would have felt the faith of Othello, and that faith could not, in his more dispassionate mind, have been disturbed by calumny. In Spain, this thought is arrayed in a sublimity which belongs to the sombre and passionate genius of the nation. Calderon's Justina resists all the temptation of the Demon, and raises her lover, with her, above the sweet lures of mere temporal happiness. Their marriage is vowed at the stake; their goals are liberated together by the martyr flame into "a purer state of sensation and existence." In Italy, the great poets wove into their lives an ideal love which answered to the highest wants. It included those of the intellect and the affections, for it was a love of spirit for spirit. It was not ascetic, or superhuman, but, interpreting all things, gave their |
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