"METHINKS YOU ARE MY GLASS"


Just across the street from the old Ashton place was another house
equally old and yet wholly unlike it, for instead of being a stately,
well-kept-up mansion with great rooms and broad halls and half an acre
of garden about it, this was a cottage of the earliest New England type.
It was low and rambling, covering a good deal of ground and yet without
any porch and very little yard, because as the village closed about it
and Elm Street became a fashionable quarter the land had been gradually
sold until now its white picket fence was only a dozen feet from the
front door and passers-by could easily have looked inside its parlor
windows save for the tall bushes that served as a shield. By immemorial
custom the cottage had always been painted white and green, but for a
good many years it had not been troubled by any paint at all, "but had
lived," as Polly said, "on its past, and like a good many persons in
Woodford had gotten considerably run down by the process."

Now there were no lights at any of the front windows, although it was
eight o'clock in the evening, but as the warm steady glow of a lamp
shone from the rear of the house, it was plainly occupied.

There was no doubt of this in the mind of the girl who stood knocking
noisily at the closed door, saying in an imploring voice:

"Oh, do please hurry, Polly dear, you know it is only me and that I
can't bear to be kept waiting."

At this moment a candle was evidently being borne down the hall, for the