the feeling."

"Such minds," I said, "will always be a mystery to common mortals."

"I take it," replied Bainbridge, "that waves and wavelets of poetic
feeling are common enough among men--quite as common as mental pictures
of beautiful material images; but the rarity is in the word-conception,
which I hold must as a rule be spontaneous if it is to convey
unblemished the original feeling. The musical genius is able to convey
his psychic impression in harmonious sounds; the true poet, in words. To
the rest of us the process is, as you say, a mystery--we call it
inspiration.

"Take an isolated poem, such as under, say patriotic feeling, springs
from the mind of one who never again writes poetry; does this not help
to prove my theory that all true poetry is a result of inspiration--is
in its inception and in its word-expression quite extraneous to its
apparent author?

"To both my intellect and my feeling, 'The Raven' stands a beautiful
masterpiece, which, because it is both the product of a strange psychic
state and the work of intellect will probably be the last poem, of those
now extant, to be admired by the human race when intellectual
development and growth shall finally have driven from the lives and the
minds of men all romance, all sentiment, all poetry, leaving to the race
only intellect and will."

After some further talk, and in reply to a statement of my own,
Bainbridge said,